Jefferson Hansen interviewed by Michael Jacobson about ‘100 Hybrids’
Jefferson Hansen interviewed by Michael Jacobson about his book ‘100 Hybrids’ for Steven J. Fowler’s Poem Brut website | 100 Hybrids is Post-Asemic Press #007
Steven J. Fowler published an interview I did with Jefferson Hansen on his Poem Brut website. Click here to read the interview: https://www.poembrut.com/interview1
In the interview Jeff and I discuss his book of asemic writing 100 Hybrids along with other publications of his.
Here is 100 Hybrids from Post-Asemic Press: It is available now for $12.00 from Amazon.
100 Hybrids offers a new poetic form: the combination of one stanza poems with handwritten asemic writing. While the poems explore issues of surveillance, artificial intelligence, social isolation, and magical realism, the asemic writing surrounding them plays off and sometimes against the poems. They often feature small, seeming “symbols” that proliferate meanings in a playful way. Other times the asemic writing looks like mazes or tight, layered non writing. 100 Hybrids brings the primal, prelinguistic gestures of writing, the asemic, into vibrant and complicated interactions with poetry.
This book is a journal of the poet’s resilience trying to find what isn’t here and what isn’t now with sharp, melancholic entries. My quick blurb is that 100 Hybrids is pithiness on acid! Each independent, single-paged stanza –which range from vignettes about isolation to short slam eruptions– is framed by alien glyphs that complement and defy the words they contain. Some hybrids have coastlines or sit within broken mazes, but Jeff places most of his poetic observations within intuitively-prompted or automatic symbols that express other sounds, interactions, and/or meanings. Several of the frames remind me of Erich Von Daniken’s Rolodex; others of Lemuria; most that our words, facts, and realities are limited and limiting. Genuinely fun and thoughtful tangents that don’t lead to Rome. I took this book on a trip, and it returned the favor.
-Thomas M. Cassidy
Jefferson Hansen’s 100 Hybrids trust themselves. Hand-drawn language and images conjoin to render fresh experiences encompassing nature (“In the night before / the sideways sun / fish flit like purple / and dart like blue”); consciousness (“The only success is guesswork”); and social reality (“This book is under surveillance”). I am captivated by the naturalness of Hansen’s artistry that depicts with deep appreciation how it feels to be alive.
-Sheila E. Murphy